Black metal irrupts from a place already divested of nature, a site of extinction…

As such black metal could be described as a negative form of environmental writing; the least Apollonian of genres, it is terrestrial – indeed subterranean and infernal – inhabiting a dead forest that is at once both mythic and real unfolding along an atheological horizon that marks the limit of absolute evil where there are no goods or resources to distribute and therefore no means of power and domination, a mastery of nothing.

A new word is required that conjoins ‘black’ and ‘ecology’: melancology, a word in which can be heard the melancholy affect appropriate to the conjunction.

…

This environment of absolute evil is exactly the same as the absolute good of black metal itself: the expenditure of a sonic drive that propels a blackened self-consciousness, a melancological consciousness without object that is the necessary prior condition to any speculation on or intervention in the environment.

The Black Metal Theory Symposium thus invites speculation and interventions on the blackening of the earth, landscapes of extinction, starless aeon, sempiternal nightmares, black horizons, malign essences, Qliphothic forces from beyond … in a general re-conceptualization of black ecology.

Whoa, dude. You had me at ‘melancology’.

If you can’t wait for another symposium, there is also ‘Helvete · A Journal of Black Metal Theory‘ and their forthcoming inaugural Incipit: Open Issue due in 2012, hopefully before the apocalypse.